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	<title>hapata</title>
	<link>https://hapata.co</link>
	<description>hapata</description>
	<pubDate>Mon, 28 Jun 2021 14:55:30 +0000</pubDate>
	<generator>https://hapata.co</generator>
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		<title>Homepage Images</title>
				
		<link>https://hapata.co/Homepage-Images</link>

		<pubDate>Mon, 28 Jun 2021 14:55:28 +0000</pubDate>

		<dc:creator>hapata</dc:creator>

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&#60;img width="8767" height="8677" width_o="8767" height_o="8677" data-src="https://freight.cargo.site/t/original/i/753963f8d86d2cc3ffef91b1f238099f3b4a8fe229605ad26371b464753a37ac/01Azoom_520by520mm-01.jpg" data-mid="114785602" border="0"  src="https://freight.cargo.site/w/1000/i/753963f8d86d2cc3ffef91b1f238099f3b4a8fe229605ad26371b464753a37ac/01Azoom_520by520mm-01.jpg" /&#62;
&#60;img width="5905" height="6065" width_o="5905" height_o="6065" data-src="https://freight.cargo.site/t/original/i/53d9d579be871ee91ace8a1f80a42852dd8d1a79dfb9afc90c74d874e7d6e215/data-centre_02.jpg" data-mid="114785410" border="0"  src="https://freight.cargo.site/w/1000/i/53d9d579be871ee91ace8a1f80a42852dd8d1a79dfb9afc90c74d874e7d6e215/data-centre_02.jpg" /&#62;
&#60;img width="5903" height="2615" width_o="5903" height_o="2615" data-src="https://freight.cargo.site/t/original/i/449fe6bcb8a37031279f7360e0d7e2e7f4c4aa81d6db42f06e03acdf74aab6d9/big-frontal-oblique-axo_open-design-only_03.jpg" data-mid="114785409" border="0"  src="https://freight.cargo.site/w/1000/i/449fe6bcb8a37031279f7360e0d7e2e7f4c4aa81d6db42f06e03acdf74aab6d9/big-frontal-oblique-axo_open-design-only_03.jpg" /&#62;
&#60;img width="5904" height="5042" width_o="5904" height_o="5042" data-src="https://freight.cargo.site/t/original/i/6b86fb4f84cc95ce9f9056bccd4761ef2e5603524f3ef136c0cbac8899fad5bf/top.jpeg" data-mid="114785479" border="0"  src="https://freight.cargo.site/w/1000/i/6b86fb4f84cc95ce9f9056bccd4761ef2e5603524f3ef136c0cbac8899fad5bf/top.jpeg" /&#62;
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		<title>About</title>
				
		<link>https://hapata.co/About</link>

		<pubDate>Mon, 28 Jun 2021 14:55:29 +0000</pubDate>

		<dc:creator>hapata</dc:creator>

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		<description>worksabout
&#38;nbsp;


hapata (c.2017), a curious-based architecture collective, cultivates on interdisciplinary-aesthetical realms of contemporary architecture, culture, technology and nature. A subtle harmony of mundane - extraordinary / rigid - free / learn - unlearn / simple - delicate / non-colourful - colourful. An independant platform to synthesise divergent creatures for its' inhabitations. 

Follow︎ 💊️Instagram &#38;nbsp;🍄️</description>
		
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	<item>
		<title>Index</title>
				
		<link>https://hapata.co/Index</link>

		<pubDate>Mon, 28 Jun 2021 14:55:30 +0000</pubDate>

		<dc:creator>hapata</dc:creator>

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	d01
Interfaith Pavilion 
(2025)
	
	divide — relate/solid — diffuse/silence — reflection/
The Interfaith Pavilion brings together two distinct spatial conditions—prayer and meditation.


Enclosed yet connected, the spaces share light through a translucent boundary.The wall does not divide; it mediates—allowing difference to coexist within a continuous atmosphere.

	Pavilion Proposal
	&#60;img width="1900" height="1350" width_o="1900" height_o="1350" data-src="https://freight.cargo.site/t/original/i/6bfac70f5dbe317aed537dedbbfe72bdfc65b1c8be7adae756418b1afe80e36c/03_rug-zoom-in-4.png" data-mid="237371438" border="0"  src="https://freight.cargo.site/w/1000/i/6bfac70f5dbe317aed537dedbbfe72bdfc65b1c8be7adae756418b1afe80e36c/03_rug-zoom-in-4.png" /&#62;



	c02Flora Archive: A Museum of Rare Plants 
(2022)
	Yongin, Kyeonggi-do, South Korea
	 display — experience/consume — observe/ organic — controlled/



Flora Archive repositions rare plants as curated specimens rather than consumable objects.


The space is conceived as a controlled environment where plants are displayed, observed, and archived.A digital layer supports this framework, extending the act of viewing into a more deliberate and informed experience.


	experience &#38;amp; interior design proposal
	&#60;img width="993" height="993" width_o="993" height_o="993" data-src="https://freight.cargo.site/t/original/i/9a980349ad2509f2a0fb64a67b356c1ca514d9a4f6b6cb96544747c4eb45ac48/flora_02.png" data-mid="235723884" border="0"  src="https://freight.cargo.site/w/993/i/9a980349ad2509f2a0fb64a67b356c1ca514d9a4f6b6cb96544747c4eb45ac48/flora_02.png" /&#62;

	b03
Apartment in Paris (2)
(2025)
	Rivoli, Paris, France
	enclosed — layered/fixed — redefined/private — constructed/

The Rivoli apartment is approached as a sequence of nested boxes.


Rather than a single open plan, the space unfolds through layered enclosures—each establishing its own spatial condition.Privacy is constructed through depth, not separation.
	interior design
(under construction)
	&#60;img width="1125" height="1474" width_o="1125" height_o="1474" data-src="https://freight.cargo.site/t/original/i/e42ea93d97155da465c59c04f66d1427b77fdbf3cfaf7bf9045f8e20094a4c2c/IMG_0641.jpg" data-mid="235570791" border="0"  src="https://freight.cargo.site/w/1000/i/e42ea93d97155da465c59c04f66d1427b77fdbf3cfaf7bf9045f8e20094a4c2c/IMG_0641.jpg" /&#62;



	b02
Apartment in Paris (1)
(2023)
	Paris, France
	box — within box/contain — unfold/
function — memory/

Organized around a multifunctional central box, the apartment connects private life with shared experience.


Positioned at the core, the volume structures spatial relationships while maintaining continuity across the plan.


Rooted in the client’s long-standing relationship with the space, existing memories are preserved and reinterpreted within a renewed spatial order.
	interior design
(completed)
	&#60;img width="2048" height="2048" width_o="2048" height_o="2048" data-src="https://freight.cargo.site/t/original/i/1bbe137a9d33bbaada2cd8b99795cc5c4c6a672206aa592692010e2489a14566/apartment_paris-01_01-.png" data-mid="235996943" border="0"  src="https://freight.cargo.site/w/1000/i/1bbe137a9d33bbaada2cd8b99795cc5c4c6a672206aa592692010e2489a14566/apartment_paris-01_01-.png" /&#62;


	b01Apartment in Bangkok
(2022-)
	Khwaeng Lumphini, Pathum Wan, Krung Thep Maha Nakhon, Bangkok, Thailand
	raw — refined — soft/concrete — metal — textile/withdraw — compose/A retreat from the intensity of the jewerly designer’s external world.


The space is reduced to three primary materials—exposed concrete, metal, and textile—each expressing a distinct spatial quality.


Together, they construct an environment where essential form is revealed while maintaining a refined sense of individuality.


	interior design 
(under construction)
	&#60;img width="1024" height="788" width_o="1024" height_o="788" data-src="https://freight.cargo.site/t/original/i/19e27a9cd5745e41762f33ab3bfa3fc7d288e35e90c48f86a744c1574e0f2d66/apartment_bkk_11.png" data-mid="246235723" border="0"  src="https://freight.cargo.site/w/1000/i/19e27a9cd5745e41762f33ab3bfa3fc7d288e35e90c48f86a744c1574e0f2d66/apartment_bkk_11.png" /&#62;&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/324dea89f8845791d1266feac9023dfefc0aefe5f4bddb14f14fd752fd6bdcf6/apartment_bkk.jpg" data-mid="235571770" border="0"  src="https://freight.cargo.site/w/1000/i/324dea89f8845791d1266feac9023dfefc0aefe5f4bddb14f14fd752fd6bdcf6/apartment_bkk.jpg" /&#62;


	a06 Kimchihood
	(2021)
	Art and Culture Research Fund $3,000, SFAC
exhibition:
Seochon, Seoul, South Korea
	domestic — constructed/repeat — disrupt/something — nothing — everything/
Kimchihood examines the kitchen as a constructed domestic system—where roles and routines have long been fixed.


The project unfolds through 108 structures and drawings, using the symbolic logic of 1, 0, and 8 to frame conditions of presence, absence, and totality.


Through repetition and variation, the work reconfigures the spatial and cultural expectations embedded within everyday domestic life.
	research exhibition
	

a05 
Living in Mutations
(2020)in kind support from whatreallymattersexhibition:
wrm space,
 Mapo-gu, Seoul, South KoreaToday the status of Seoul's mutation is complex and it requires a serious understanding of typological transformation as a sociocultural index of themutation, which materialises and makes contemporary conditions visible.
Seoul’s typologies continually mimic and internalise the infinite variety of its external desire. However, the fact that mutation never replicates the previous form does not promise the alternative to our lives as it often prolongs the stay of status-quo.
Despite the vulnerability, the variations against the normative and the multiplicity opposed to the binary are also promising and liberating as it sets us free from historical forms of discipline, hierarchy and constraint over who we can become: the mutation manifests the possibility to denaturalise the previous forms of life.
 Through LIVING IN MUTATIONS, hapata questions the commonly accepted “normal”.
research exhibition&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/52d58d6d3b2dc6300291c1a46c08891b6fd9fad63823562336a58a44ef252277/livinginmutations_01.jpeg" data-mid="235541984" border="0"  src="https://freight.cargo.site/w/1000/i/52d58d6d3b2dc6300291c1a46c08891b6fd9fad63823562336a58a44ef252277/livinginmutations_01.jpeg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/994032be51767837494b46dc3b662a56fe2b5ce489b947f8eba62279f0fd9343/IMG_3411.jpeg" data-mid="236023272" border="0"  src="https://freight.cargo.site/w/1000/i/994032be51767837494b46dc3b662a56fe2b5ce489b947f8eba62279f0fd9343/IMG_3411.jpeg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/c00f0c25a62ae0bc331a6edd3efb17e28e63054efe70d1370f79df712cc01a2b/L1040214.jpeg" data-mid="236023270" border="0"  src="https://freight.cargo.site/w/1000/i/c00f0c25a62ae0bc331a6edd3efb17e28e63054efe70d1370f79df712cc01a2b/L1040214.jpeg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/1b36a3d0b97ffa316b80c61d2db54b2bf4f6b7b652115bd76a6547950ea966da/IMG_3513.jpeg" data-mid="236023271" border="0"  src="https://freight.cargo.site/w/1000/i/1b36a3d0b97ffa316b80c61d2db54b2bf4f6b7b652115bd76a6547950ea966da/IMG_3513.jpeg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/48841df1ff8bf27e048f5510878b25cbdd99a2bf7698bac9c6882d3dcb3d682c/JIHYE-KIM_04.jpeg" data-mid="236023273" border="0"  src="https://freight.cargo.site/w/1000/i/48841df1ff8bf27e048f5510878b25cbdd99a2bf7698bac9c6882d3dcb3d682c/JIHYE-KIM_04.jpeg" /&#62;
	
	
	
	
	

a04&#38;nbsp;The survey of “Domestic Animals”
(2020)&#38;nbsp;AA Visiting School Melbourne&#38;lt;New Paper III: Re-imagining the Phygital World&#38;gt;
Domestic Aninmals explores the journey from everyday objects and clothing to the broader contexts of houses and cities. The future of architecture is expected to emerge not from new designs, but from innovative uses of homes. As work increasingly permeates living spaces, bedrooms are often transformed into meeting rooms and kitchens into offices, blurring the lines between work and home life.


This shift leads to new comforts found in activities like Netflix and ASMR, while algorithms encourage redecoration for a cozier atmosphere. Amid rapid changes and hyper-accessibility, a sense of alienation and a redefinition of what home means are prevalent. Rather than idealizing future lifestyles, Domestic Animals aims to explore the current concept of ‘home’ and the various factors influencing how spaces and daily lives are organized.
lecturer, (virtual) architecture exhibition&#60;img width="902" height="1064" width_o="902" height_o="1064" data-src="https://freight.cargo.site/t/original/i/8fc029c3400b824886e8e3fdf0218b729ea993a4736bd9e1293324c0fbce9e97/Screen-Shot-2020-10-08-at-21.46.12.png" data-mid="235995751" border="0"  src="https://freight.cargo.site/w/902/i/8fc029c3400b824886e8e3fdf0218b729ea993a4736bd9e1293324c0fbce9e97/Screen-Shot-2020-10-08-at-21.46.12.png" /&#62;&#60;img width="3000" height="3001" width_o="3000" height_o="3001" data-src="https://freight.cargo.site/t/original/i/e0a70ef6a1b011434c7c0b89d3be2b23b53a54189072461a7d83a96a8e5e39f3/Mandy.gif" data-mid="235994966" border="0"  src="https://freight.cargo.site/w/1000/i/e0a70ef6a1b011434c7c0b89d3be2b23b53a54189072461a7d83a96a8e5e39f3/Mandy.gif" /&#62;
a03

A Garden of One’s Own
(2019)Human resource Grant$8,000, KOCCA
Art and Culture Fund$3,000,&#38;nbsp;MCST
exhibition:Forking Room&#38;lt;Data &#38;amp; Framer&#38;gt;, Seoul, South Korea
If I were to identify the most pressing question in my life at this moment, it would undoubtedly be: “Home.” What should the ideal size and location of my home be? The complexities of physical space and the distances I traverse have become consuming thoughts.


In Islamic culture, homes are often adorned with carpets, symbolically referred to as a "garden of one’s own."


As I contemplate navigating the increasingly compact one-bedroom apartments of Seoul, I find myself questioning whether a spatial concept exists that transcends the significance of the Islamic carpet. In a world where individuals continually strive to establish their own territory, A Garden of One’s Own aims to create a platform for expanding one's virtual space—whether to transcend current limitations or to adapt within them.multimedia installation&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/991d4ed5d74a13e0e62885da0351cea3fd513bd85cbc3e826652638ecfeed3a9/garden-2.jpg" data-mid="235541665" border="0"  src="https://freight.cargo.site/w/1000/i/991d4ed5d74a13e0e62885da0351cea3fd513bd85cbc3e826652638ecfeed3a9/garden-2.jpg" /&#62;&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a3bda1b5275dce72d22d382ec6322f93262bca35d1a4793d803a9ceca29251ee/garden.jpg" data-mid="235541657" border="0"  src="https://freight.cargo.site/w/1000/i/a3bda1b5275dce72d22d382ec6322f93262bca35d1a4793d803a9ceca29251ee/garden.jpg" /&#62;

a02&#38;nbsp;
Apartment Engineering
(2018)Award Winner,
DAC research &#38;amp; media Award&#38;nbsp;
The virtual apartment serves as a symbol of class society, prompting the audience to explore the origins of their lives within it. In Editorial Engineering, the value of an individual's possessions correlates with the time they can dedicate to using them. Temporal constraints inevitably lead to spatial limitations, rendering the virtual high-rise apartment a reflection of class structures.

This project features videos captured on mobile phones, algorithm-based soundscapes, and newly designed 3D graphics of apartments, all orchestrated to create a cohesive experience. Each medium serves as both a commentary and an example, embodying specific instances while simultaneously existing within the realm of abstraction.
multimedia installation, lecture performance&#60;img width="900" height="891" width_o="900" height_o="891" data-src="https://freight.cargo.site/t/original/i/9f2aa242fee744a0d981eb826ef8ce4c21f24b8564b8957ab250529ff8fb9fae/01Azoom_520by520mm-01.jpg" data-mid="237371453" border="0"  src="https://freight.cargo.site/w/900/i/9f2aa242fee744a0d981eb826ef8ce4c21f24b8564b8957ab250529ff8fb9fae/01Azoom_520by520mm-01.jpg" /&#62;&#60;img width="1791" height="1791" width_o="1791" height_o="1791" data-src="https://freight.cargo.site/t/original/i/e0e5b33721d46321ef2169b320e8251c74bc62d7f9fc004ea150783077d10e7d/Screen-Shot-2019-06-02-at-22.13.40.png" data-mid="235995747" border="0"  src="https://freight.cargo.site/w/1000/i/e0e5b33721d46321ef2169b320e8251c74bc62d7f9fc004ea150783077d10e7d/Screen-Shot-2019-06-02-at-22.13.40.png" /&#62;

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